Showing posts with label strozzi. Show all posts
Showing posts with label strozzi. Show all posts

Friday, April 18, 2008

Cina – Alla Corte Degli Imperatori

Cina - Alla Corte Degli Imperatore - Palazzo Strozzi Cina Cina Cina! - Palazzo Strozzina
The exhibit Cina – Alla Corte Degli Imperatore (China – In the Court of the Emperors) is at the Palazzo Strozzi, Florence from 7 March to 8 June, 2008. The Palazzo Strozzi is a beautiful Renaissance palazzo to see an exhibit in. The lighting and the signage are good. The exhibit space is on the piano nobile (next floor above ground floor) in a series of eight rooms around the main courtyard. The courtyard has a huge Buddha greeting you as you enter the palazzo from the west. 10 Euros for a ticket.

The exhibit focuses on the Han Dynasty (23 – 220) and Tang Dynasty (617 – 907). The Tang Dynasty was considered “l’età d’oro cinese” (the golden age of China) when there was a period of progress and stability. We liked the exhibit and learned a little about Tang Dynasty. I think we can tell the difference between a Buddha (big ears, simply dressed?) and Bodhisattva (usually with jewelry?) now and understand how strangers were portrayed (long noses and goatees?). One interesting point was brought up in the audio guide (5 Euros) on a group of statues of women riding horses: that women’s rights during the Tang era were fairly liberal compared to later periods or other countries at the time. For example, the three statues showed the women riding horses astride in the saddle and not sidesaddle.
For more information go to the exhibit site at http://www.cinamaivistafirenze.it/.

In the Strozzina there was an exhibit called Cina Cina Cina! – Arte Contemporanea Cinese Oltre Il Mercato Globale (China China China! – Chinese Contemporary Art Beyond the Global Market). The Strozzina is basically the basement of the Palazzo Strozzi. It’s an odd space that lends itself to more modern shows, for example, the previous show Sistemi Emotivi. The current exhibit makes a lot of use of video, some banal, some spooky. The show tries to explore the question of what the China phenomenon is by looking through the eyes of three Chinese curators. The curators give the viewer a chance to see three points of view of how current Chinese artists are impacting the international art system. To tell you the truth, I didn’t get this until I reread the pamphlet for the show about five times later. And, I’m not sure the viewpoint came across to us. Maybe we were saturated from seeing the top floor exhibit and this was just too much?

The previous shows in the Strozzi and Strozzina were Contro Moda and Sistemi Emotivi, respectively.
Buddha in the Palazzo Strozzi Courtyard

Thursday, December 20, 2007

Contro Moda



Today was fashion day. After Roberto Capucci and a lampredotto panino (Mercato del Porcellino) sandwich (a slightly strange interlude), we hit the ControModa show at Palazzo Strozzi. This show is dedicated to fashion and, in particular, items from the Los Angeles County Museum of Art. It was interesting and gave us a new appreciation of fashion if not a basic schooling in who’s who. Particularly interesting was the contribution of the Japanese to fashion, especially in pushing the boundaries of Italian/French sensibilities.

Shown above are a Pucci cape (“sponge” cape) and a Miyake woman’s coat.

Sunday, December 16, 2007

Sistemi Emotivi

Entering Sistemi Emotivi
Entering Sistemi Emotivi
Today we visited an exhibit called “Sistemi Emotivi” at the Strozzina, which is the underground level of the Palazzo Strozzi. The exhibit runs from 30 November 2007 to 3 February 2008 and features 11 artists whose work highlights the interaction between contemporary art and emotion and reason. We found some of the installations interesting and some not so. One thing that a couple of exhibits referenced was the mirror neuron and how these neurons are activated when you do something and when you see the action done by someone else. Does this explain my weak knees whenever Mark walks next to the edge of cliff, even if I’m 20 yards away from the edge? Here is a Nova video on the subject.

Our favorite exhibits:

William Kentridge’s installation “Weighing…and Wanting, 1997” in which he employs a type of animation where he draws (in charcoal and pastel) a key frame and then erases some elements and adds new ones. The process leads to a kind of dream like sequence because the process of erasing is not perfect and traces are left behind.

Maurice Benayoun’s work which monitored search-engine queries to build a world map showing emotional states.

Christian Nold’s emotion maps of various cities.

Sistemi Emotivi Installations
Sistemi Emotivi InstallationsSistemi Emotivi Installations