Travelmarx Music Picks - Summer 2022 - Unpeopled Spaces

Composite of 25 albums covers that in the Travelmarx Summer 2022 playlist.

It’s late June and Italians have flown the coop for their first vacation of the summer. Vacation one (that’s our name for it) is right after school ends and the prices are still low for flights and lodging – as was explained to us. The main vacation for Italy is the revered August vacation. We tend to avoid vacationing in August. We associate August vacations will crowds of people in places we’d rather not be. Hence this playlist’s name: Unpeopled Space or at least the desire for them.

The playlist name comes from a track by Daniel Rossen from his release You Belong There. The track is “Unpeopled Space”. We added the S.

This Spotify list is here.

Daniel Rossen – “Shadow in the Frame”
Cate Le Bon – “Dirt on the Bed”
SKYGGE, Benoît Carré – “Ocean noir”
Animal Collective – “We Go Back”
David Byrne, Yo La Tengo – “Who Has Seen the Wind?”

Alabaster Deplume – “Don’t Forget You’re Precious”
Kaitlyn Aurelia Smith, Emile Mosserie – “Log in Your Fire”
Joyful, Joyful – “Marrow”
Bitchin Bajas – “Outer Spaceways Incorporated”
Vanishing Twin – “You Are Not an Island” – We are really enjoying Vanishing Twin these days at Travelmarx central.

Aldous Harding – “Zoo Eyes”
Carolina Eyck, Eversines – “Waves”
Buzzy Lee – “Strange Town”
Mega Bog – “Station to Station”
DARKSIDE – “I’m the Echo” – Another artist on heavy rotation for us, DARKSIDE.

Jackie Lynn – “Dream St.”
Efterklang – “Living Other Lives”
Laetitia Sadier – “New Moon”
Kelpe – “Whirlwound”
Lala Lal, WHY? – “Siren 042”

Camel Power Club – “Laika”
Stubbleman – “Badlands Train”
Jon Kennedy – “Lovesick”
Van Hai, Ripperton – “Dernier Amour – Ripperton’s No Love Lost Reshape”
Sarathy Korwar, Zia Ahmed, Mirande, Swadesi – “Birthright”

Music Album Covers with Elephants on Them

A mosaic of 25 music album covers with elephants on them.

Here’s a tribute to the large existing land animal, the elephant. These 25 music album covers feature elephants on them. Some covers are fantastical – as in Osibisa’s* two covers, some feature elephants on the march – as in the Allman Brothers and Elvis Costello covers, and some feature elephants in precarious positions – as in Hannibal and the Flower Kings’ covers. We also include two albums with Ganesha, the Hindu deity represented with an elephant head. Genesha is featured on MC Yogi’s 2008 “Elephant Power” and the 2008 soundtrack “Sita Sings the Blues”. The latter album is really an interesting listening experience.

* There can be a blog post just on Osibisa's elephant-themed album covers. 

Three living species of elephant are currently recognized: the African bush elephant, the African forest elephant, and the Asian elephant. They say to distinguish between African and Asian elephants you can look at the ears. African elephants have larger ears that have the shape more or less of the African continent, while Asian elephants have smaller, round ears. Figuring out which elephant is featured on the albums covers is left as an exercise to the reader.

1968 The Band – Music from Big Pink
1971 Osibisa – Osibisa
1972 Osibisa – Heads
1975 Hannibal and the Sunrise Orchestra - Hannibal
1979 Elvis Costello and the Attractions - Armed Forces

1979 Khaliq Al-Rouf & Salaam - Elephant Trot Dance
1979 Herbie Hancock – Directstep
1979 Khaliq Al-Rouf & Salaam - Elephant Trot Dance
1980 Elephant - On My Feet Again
1983 Elephant – Elephant

1990 Victoria Williams – Swing the Statues!
1990 World Party – Goodbye Dumbo
1998 Clutch - The Elephant Riders
2003 The Allman Brothers – Hittin' the Note
2004 Jami Sieber – Hidden Sky

2005 Mina – Bula Bula
2005 Various Artists - Late Night Tales: The Flaming Lips
2008 Various Artists - Sita Sings the Blues – Original Soundtrack
2008 MC Yogi – Elephant Power
2011 The Sea and Cake – The Moonlight Butterfly

2013 Béla Fleck, Nashville Symphony Orchestra, Giancarlo Guerrero, Brooklyn Rider - The Imposter
2014 Nico & Vinz - Black Star Elephant
2017 Degiheugi – Bagatelle
2018 Ichiro Fujiya, Takeshi Kurihara - Elephant and a barbar
2019 The Flower Kings – Waiting for Miracles

20 Frasi Fatte – 20 Catchphrases (Clichés) in Italian Starting with the Letter A

Backstory | Definitions | List

One way of classifying catchphrases on the spectrum of words that more or less mean "saying",
from less to more originality.

Backstory

Once, when talking with an Italian friend, he criticized someone for always using frasi fatte, that is, lacking originality in her speech. Frasi fatte translates literally to "made phrases", or more exactly to  “platitudes”, “clichés” or very literally “set phrases” or "catch phrases". Instinctively, I knew what frase fatte meant as soon as it was uttered without looking it up.  I thought, wow, if I could speak Italian only with frasi fatte, I’d be quite happy!

The more we investigated frasi fatte, the more we realized that studying these phrases could be useful for English learners trying to learn Italian. In this post, we include some frasi fatte starting with “A”. (You know us, a series is in the works so stay tuned for more letters of the alphabet.)

The list we’re drawing from is the Wikipedia page Glossario delle frasi fatte. Our contribution is to give our two cents on which phrases we've heard commonly.

Definitions

Before we get to the list, let’s briefly mention the number of ways to express a “saying”. What are the differences between terms like adage, platitude, cliché, and proverb in English? In our opinion, they are similar and often used interchangeably if not incorrectly. One way you can think of them is to rank them by originality, from more original (adage or proverb) to less original (cliché and catch phrase).

• English: adage, aphorism, axiom, dictum, proverb, maxim, saying, motto, slogan, catch phrase, platitude, cliché.
• Italian: adagio, aforisma, detto, proverbio, massima, motto, modo di dire, banalità, cliché, frase fatta

So, on a spectrum of originality, we are dealing in this post with the less serious, throw-away catch phrases and clichés called frasi fatte (plural) in Italian. They may not dispense a lot of wisdom, but these catch phrases are useful in their own right.

The List

The list contains examples from news headlines and in a few cases* text inside the articles referenced.   

A bocca asciutta – high and dry, empty-handed. Literally, dry mouth or left thirsty.
Example: Champions League: Italia a bocca asciutta, ko anche Trento.


A buon mercato – a good deal, a good price, heap.
Example: Tesla: titolo è a buon mercato, UBS vede rimbalzo del 30%.


Acqua in bocca – mum’s the word, not a word, keep it a secret. Literally, keep your mouth shut as if you were holding water in it.
Example*: Martedì non mancava un po’ di agitazione in casa Maroni. Ma acqua in bocca. Davide non può parlare per contratto ed è stato tutto una sorpresa anche per i genitori.


Agli sgoccioli – at the end, on one’s last legs, running out. Literally, down to drops (sgoccioli).
Example: Ucraina, munizioni agli sgoccioli in Donbass: “nuovi aiuti o guerra è persa”


Alzare il gomito – drink, pick up a drink. Literally, to lift (alzare) your elbow (gomito).
Example*: Ad “alzare il gomito” si comincia a 12 anni. Ad assumere droga e sostanze stupefacenti - a partire dai cannabinoidi - anche prima.


A naso / Andare a naso – do something by intuition, literally with your nose (naso).

Example*: Se non ve la sentite di andare “a naso”, su Internet troverete tanti manuali per cimentarvi nella preparazione di saponi e cosmetici da fare in casa.


Alle grande – greatly, to a large extend.
Example: “Gli uomini preferiscono le bionde”, un film che funziona alla grande a 70 anni di distanza.


(Essere) alla mano – be available, easy reached, approached. Literally, to be at hand (mano).
Example*: La generosità di George Clooney, il suo essere alla mano con noi comaschi la conosciamo bene.


All'americana – American style or way.
Example: Confronto all’americana tra i candidati a sindaco di Viterbo


Alla romana – Roman style or split the bill (go Dutch) for something like dinner.
Example: Dal conto alla romana al blind menu, chi deve pagare al ristorante?


Amici per la pelle – best friends, thick as thieves.
Example*: I due ragazzi, negli ultimi mesi, hanno condiviso lo stesso appartamento diventando amici per la pelle.


Andare a quel paese – go to hell, shove it.
Example: L'Aria che Tira, brutale rissa tra Ignazio La Russa ed Emanuele Fiano: “Vai a quel paese”, “Vergognati”.


Andare a zonzo – stroll around, go for a stroll.
Example: Condannato per evasione da 2 anni sorpreso a zonzo in centro storico, arrestato 23enne.


Andare a tilt – go haywire, breakdown. We hear this one a lot.
Example: Roma Pride e Vasco Rossi, Roma rischia di andare in tilt.


Aria fritta – something without substance, like an idea or project: hot air. Literally, fried air.
Example: Alla Presidente Tesei risponde Fabio Paparelli: bugie su bugie e aria fritta.


Avere culo – to be lucky. Literally, to have culo or ass.
Example: Il Milan domina a Roma, ma per tutti ruba e ha culo. Maresca: sempre tu, speravo di non vederti più. Ibra immortale.


Avere fegato – to be courageous; gutsy. Literally, to have fegato or liver.
Example: X Factor, Erio ha “Fegato” e vola in semifinale con l’inedito scritto da Giuliano dei Negramaro.


Avere l'acquolina in bocca – mouth-watering. Literally, have drool or craving (acquolina) in your mouth (bocca).
Example: Spaghetti al tonno con tutto il profumo del limone: la ricetta che ti farà venire l’acquolina in bocca.


Avere le braccine corte – Be cheap, cheapskate. Literally, to have short (corte) little arms (braccia + ine).
Example: I consumatori criticano “le braccine corte” del Governo il quale, con il taglio provvisorio del costo della benzina…


Avere le mani bucate – to be a spendthrift. Literally, your hands (mani) are perforated (bucate) so that money falls right through.
Example: Johnny Depp e le altre star con mani bucate e spese pazze.

Visiting the Venice Biennale Arte 2022 – 12 Tips

Overview | 12 Tips | Photos from the Biennale Arte 2022

A sample of art from the Venice Biennale 2022. From left to right: Arsenale - Simone Leigh - Brick House; Arsenale - Precious Okoyomon - The Milk of Dreams, To See the Earth before the End of the World; Giardini - Israel - Queendom; Arsenale - Felipe Baeza - Mexico; Arsenale - Igshaan Adams - South Africa (twisted wire installation); Giardini - Nanda Vigo - Italy - Center Pavilion.

Overview

We recently returned from 4 days visiting Venice and the 59th Biennale Arte. This was our 6th Biennale. We’ve visited or at least seen parts of four Biennale Arte (2003, 2017, 2019, 2022) and two Biennale Architettura (2016, 2021) shows. All have been interesting and worth it. This post is a quick and dirty FAQ summarizing what we learned about how to visit the Biennale 2022, which runs through November this year.


Random photos around Venice: at night, in the Castello quartiere, and an interesting cat.

12 Tips 

(1) Where to stay if primarily focused on Biennale?

• We would suggest Castello. It’s within a comfortable walking distance of the two principal venues (Arsenale and Giardini).
• There are six districts or quarters of Venice. The Castello is one of these districts.
• We felt that a good chunk of the Castello district still felt authentic, more spacious, and less touristy.
• For us, as far away from the hordes of tourists, the better. I know, we are tourists too. Troglodytes don’t like crowds.
• If you stay elsewhere in Venice, you can also walk or you can take a boat to get to the Biennale main venues.

(2) How much time to spend visiting the Biennale?

• It depends on you and how much you want to take in.
• You can thing of the Biennale as three parts Arsenale, Giardini, and Collateral Events.
• Arsenale and Giardini are near each other.
• Collateral Events are spread out across the city.
• Suggested 1-day tour
• Arsenale in the morning and Giardini in the afternoon, or vice versa.
• Assuming you bought a basic ticket, you have one entry into Arsenale and one into Giardini.
• This is a busy day of art!
• You could eat inside one of the venues or do lunch outside between the venues.
• Suggested 2-day tour
• Buy one basic ticket, which gives you one entrance into the Arsenale and one into Giardini.
• Do the Arsenale one full day and Giardini the second full day, or vice versa.
• Assuming you bought a basic ticket, this would mean getting lunch inside a venue and not leaving.
• Variation: do this tour and then leave 1-2 days for finding all the other Biennale Collateral Events spread out across Venice, which are generally free to enter.
• Suggested 3+ day tour:
• Buy two basic tickets so you have two entries into each venue (Arsenale and Giardini).
• Do half days (or as much as you can take) at the Arsenale and Giardini as you want, spread out over several days.
• Between visits to Arsenale and Giardini, go find the numerous other Collateral Events spread out across Venice.
• This is more or less what we ended up doing. We like eating a lunch at a trattoria or osteria outside of the Arsenale and Giardini.

(3) What’s the Arsenale venue like?

• The Arsenale is a complex of shipyards and armories in Venice of which one part is an important venue of the Biennale.
• The Arsenale was once the largest industrial complex in Europe before the Industrial Revolution.
• The Arsenale is located at the eastern side of Venice, 30 minutes walking distance from Piazza San Marco.
• The Arsenale complex is in the Castello district.
• The Arsenale venue is shaped like a big letter V. You typically start at one size of the V (Ramo del la Tana) and exit the other size (just after the structure called the Gaggiandre). Following this path, you exit into the peaceful Giardino delle Vergini, which also has things to see that are connected to the Biennale. You could also start at the Giardino delle Vergini and go in reverse.
• The Arsenale is a series of spaces – large and small – featuring artwork, video, and installations of all types.

(4) What’s the Giardini venue like?

• Giardini or "gardens" is a large garden area dotted with pavilions.
• Each country pavilion is tied to a country that features one or more artists.
• It’s pleasant to walk around the gardens and discover what’s inside each pavilion. Great for kids and adults.
• Each country pavilion is place you enter, walk around, and enjoy what’s presented. Some pavilions are open, some closed, some light, some dark, some highly constructed and other deconstructed.
• There are two pavilions that are not countries:
• The city of Venice has its own pavilion in Giardini.
• Also, the Center Pavilion is huge pavilion / exhibition space featuring a lot of artists. In fact, the Center Pavilion alone could easily take up to 3+ hours to see. The Center Pavilion was the nucleus of the first Biennale back in 1895.
• International / country pavilions. Some are exceptional this year like: USA – Simone Leigh: Sovereignty, Greece – Oedipus in Search of Colonus, and Republic of Korea - Gyre.
• Some international pavilions are in the Arsenale or spread our in the Collateral Events. For example, Italy and China, and many others country pavilions are in the Arsenale and not Giardini.
• I guess we have Napoleon to thank for the Giardini della Biennale? From the Biennale site: “The traditional site of La Biennale Art Exhibitions since the first edition in 1895, the Giardini rise to the eastern edge of Venice and were made by Napoleon at the beginning of the nineteenth century. It was the success of the first editions (more than 200,000 visitors in 1895, more than 300,000 in 1899) to trigger the building of foreign pavilions since 1907, which were added to the already built Central Pavilion. The Giardini now host 29 pavilions of foreign countries, some of them designed by famous architects such as Josef Hoffmann's Austria Pavilion, Gerrit Thomas Rietveld's Dutch pavilion or the Finnish pavilion, a pre-fabricated with a trapezoidal plan designed by Alvar Aalto.”

(5) What’s does Milk of Dreams mean?

• The name of this year’s exhibition is The Milk of Dreams (“Il latte dei sogni” in Italian) and comes from the title of a book by Leonora Carrington (1917–2011).
• The book combines Surrealist painter Leonora Carringon's fantastical writing and illustrations for children.
• The curator Cecilia Alemani states “The Exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures, along with other figures of transformation, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human.”
• Within the larger exhibition there were at least three smaller “sub”-exhibitions that are called Historical Capsules:
• “Technologies of Enchantment” (Center Pavilion, Giardini). Beautiful works featuring light in one form or another.
• “The Witches Cradle” (Center Pavilion, Giardini). Featuring a Carrington painting, “Portrait of the Late Mrs Partridge” (1947), this capsule is about self-metamorphosis.
• “Corps Orbite” (Center Pavilion, Giardini) - we missed this one because we ran out of time!
• “Seduction of Cyborg” (Arsenale). Artists as cyborgs. This was fun to explore.
• “A leaf a gourd a shell a net a bag a sling a sack a bottle a pot a box a container” (Arsenale). This title uses Ursula K. Le Guin’s metaphor that first cultural inventions are containers. 
• These smaller exhibitions were all very well done and very impressive.

(6) What are the opening times?

• The Biennale Arte 2022 runs from April 23, 2022 to November 27, 2022.
• Hours are:
• April 23 – September 25, 11 am - 7 pm
• September 27 – November 27, 10 am - 6 pm
• Arsenale open until 8 pm on Fridays and Saturdays, until 25 September (last admission: 7:45 pm)
• Closed on Mondays (except Monday 27 June, 25 July, 15 August, 5 September, 19 September, 31 October, 21 November).

(7) What are my tickets options?

• Basic ticket is for one visit for Arsenale and one visit for Giardini. Stop. No re-entry.
• Basic tickets “guarantee admission to both venues of the Exhibition, one time for each venue, on the same day or on different days. The days you visit each venue do not necessarily need to be consecutive. The ticket does not allow you to enter and leave the venue more than once.”
• Once you are in the venue (Arsenale or Giardini), you are in. Once you leave, your ticket for that venue is invalidated.
• Most of the Collateral Events have free admission, except for some that might require an admission ticket sold at the venue.
• If you are press, you have more options. See the FAQ.
• Our experience: We misread how the basic ticket worked and thought that it would allow us multiple entries to each venue. When we found out otherwise, we bought second tickets because we weren't done. When we went to buy our second ticket, a person at the ticket desk said there was a weekly option. As far as we can tell that only applies to press. So, in the end, we bought two tickets and followed the 3+ day itinerary given above.

(8) How can I make the most out of my visit when I’m there?

• Buy a book/guide before hand or at the on-site bookstore.
• Just wander and read the information next to the works, which is generally pretty good.
• Make use of guides/docents in key rooms. Docents were places in many rooms of the Arsenale. They know about the works and good to talk to. They speak English.
• Use the Bloomberg Guide (iOS) (Android).
• It's chock full of information, but … 1) it’s clumsy to use, and 2) the app kept resetting for me every so often so that you had to spend a minute entering and getting back to where you left off. Also – a pet peeve - you can’t listen off the phone, say on your computer. The experience is locked just to your phone.
• The Biennale website
• Make sure you are in the /art/ subsection for the right year /2022/.
• When searching it helps to be specific, for example, “greece 2022 pavilion”.

(9) What can I do before coming?

• Download the Bloomberg Guide and poke around a bit to see what might be interesting.
• Use the https://www.labiennale.org/en site.
• Be sure to go into Art part of site: https://www.labiennale.org/en/art/2022
• When searching, use terms with country and date, e.g., “Denmark 2022”.
• Download the Biennale brochure to study the layout of Arsenale and the Giardini. It will help orient you.
• Also, look at the layout of Giardini on a map.

(10) Any other observations about the Biennale?

• There are a lot of videos in the Biennale. Some good, some not. You have to spend time to watch them to “get” it.
• Overall, videos are much more compelling than they were say 10 years ago. The quality has gone up.
• Some videos run 15 – 20 minutes long. It’s a commitment to give yourself over when all this other art is waiting. You can’t just poke your head in for 10 seconds and then leave. (Well, you could, but then what's the point?)
• Allow time to pass through the spaces multiple times if you can. For example, in the Arsenale, we walked back and forth through the space a few times and it was very pleasurable, especially about one hour before closing when there is hardly anybody there.
• The Biennale demands several days spread out. That’s really the point of this post.
• If you have limited about of time, give yourself permission not to see everything. Favor quality over quantity.
• A long line waiting to see something doesn’t mean it’s good.
• Rather, it often means there is limited space, was an artist decision, or limited capacity of equipment (like VR sets).
• Where did we see a line? Greece, Chilean, Italian, and Uzbekistan pavilions in the Arsenale.
• Worth the wait: Italian (25 minutes), Greece (2 minutes)

(11) Any regrets?

• Not enough time in general to see and experience the Biennale and Venice at a slower pace. We were there for 4 days and felt it wasn’t enough.
• Not enough time searching out all the Collateral Events. Half the fun is trying to find these events because the journey takes you to parts of the city you wouldn’t otherwise see, and the spaces are interesting.
• Next time, we would try to load more of our Biennale time during weekdays.
• Not spending enough time upfront to see what might be interesting. (Okay, there is always the balance between let me just experience this verses study up on it beforehand.)
• We didn’t book restaurants ahead of time. We were surprised how many of our first choices were booked on Friday and Saturday for lunch and dinner.

(12) Any tips on restaurants?

• Book ahead to be sure you get what you want.
• We felt that while we ate well in Venice, the price/quality ratio was higher than in other parts of Italy. (Lower ratio is better.)
• To get a fine dining experience, you’ll be paying a bit more. There are many places serving chicchetti that are informal and approaching a good (lower) price/quality ratio. Some of these places you can eat standing for a quick bite.
• Here’s what we tried and liked over the years of visiting Venice - in no particular order:
• Osteria da Pampo
• Ristorante Gibran (Caffè Libano)
• Antica Osteria da Gino
• Osteria Al Portego
• Ai 4 Feri Storti Osteria
• Sullaluna libreria & bistro
• Osteria a la Scuela
• Trattoria d’a Marisa
• Osterai Mocenigo
• La Bitta
• Trattoria Anzolo Raffaele
• Trattoria da Jonny

Left: Restaurants we've tried over the years in Venice. Right: The Bloomberg application for the Biennale showing venue locations. Most are collateral events.

Photos from the Biennale Arte 2022

Arsenale

Left to right: Delcy Morelos - Columbia; Gabriel Chaile - Argentina;  Emma Talbot - UK.

Works by Felipe Baeza - Mexico



Left: Igshaan Adams - South Africa; Center and right: Italy Pavilion - History of Night and Destiny of Comets.


Left to right: Malta Pavilion - Diplomazija Astuta; Iceland Pavilion - Perpetual Motion; Rebecca Horn - Germany - Seduction of the Cyborg; Lavinia Schulz and Walter Holdt - Germany - Seduction of the Cyborg.

Left  to right: Niki de Saint Phalle - France; Ruth Asawa - USA; Uzbekistan (Republic of) - Dixit Algorizmi Garden of Knowledge.

Left to right: Slovenia Pavilion - Without a Master - Marko Jakše; South Africa (Republic of) - Into the Light; Precious Okoyomon - The Milk of Dreams, To See the Earth before the End of the World.


Left to right: Tau Lewis - Canada; Turkey Pavilion - Once upon a time - Füsun Onur; Ukraine - The Fountain of Exhaustion. Acqua alta - Pavlo Makov; Simone Leigh - Brick House;

Giardini

Left to right: Andra Ursuţa - Romania - Central Pavilion; Mrinalini Mukherjee - India - Central Pavilion; Dadamaino - Italy - Center Pavilion - Technologies of Enchantment; Katharina Fritsch - Germany - Central Pavilion.

Left to right: Denmark - We Walked the Earth; Greece - Oedipus in Search of Colonus (VR); Venice Pavilion - Laurel; Brazil - com o coração saindo pela boca  with the heart coming out of the mouth - Jonathas de Andrade.



Korea (Republic Of) - Gyre

Left to right: Switzerland - The Concert; USA Pavilion - Simone Leigh, inside and outside

Left to right: Israel – Queendom; Merikokeb Berhanu - Ethiopia - Center Pavilion