The Getty Center – Marino Marini

We first ran into the Italian sculptor Marino Marini (1901 -1980) in Venice where his (in)famous sculpture Angelo della Città greets the boats on the Grand Canal spread-eagle-style from the terrace of the Peggy Guggenheim Collection. Next we ran into him while living in Florence and we spent an afternoon at his museum in Piazza San Pancrazio. Recently, we saw Angelo della Città again at the Getty Center. According to a Getty acquisition list the full title of the work is: Angel of the Citadel-Horse and Rider-Town’s Guardian Angel, 1949-1950, Bronze, 172.7 x 167.6 x 94 cm, but that’s a mouthful. For more on Marini’s inspiration from Etruscan and Northern European sculpture for this composition see here.

The Getty Villa

The design of the Getty Villa is based on the Villa dei Papyri, a private house in the ancient Roman city of Herculaneum (today Ercolano, near Naples) that was buried in AD 79 from the eruption of Vesuvius.

Villa dei Papyri was first discovered in the 1700s and got its name because of a library found inside the villa containing thousands of papyrus scrolls. Untangling and deciphering the badly burned and stuck together scrolls is ongoing as the Philodemus Project named after Philodemus (c. 100 – c. 40-35 BC), an Epicurean philosopher and poet whose work comprises the bulk of the library. Epicureanism in one compact sentence, that I’ll borrow, “taught that man is mortal, that the cosmos is the result of accident, that there is no providential god, and that the criterion of a good life is pleasure.”[*]

So what’s the Getty Villa like? We thought it was great. Sure it’s shiny and bright compared to what we saw in Pompeii – also subject to the same eruption, but less buried than Herculaneum. But who cares? It’s fun to experience an approximation of Roman villa in a form something close to what it must have been like. The collection of Greek, Roman, and Etruscan antiquities housed in the museum part of the villa is equally engaging. The collection is arranged around themes and one of the must-see artifacts is the statue of a Victorious Youth, but don’t let that be your only stop. I was awed by the Gold Wreath in the same room as the Victorious Youth.

The Getty Villa was first opened in 1974 adjacent to the ranch house owned by John Paul Getty (1892-1976) in Pacific Palisades (not Malibu!). The museum underwent extensive remodeling in 1997 and reopened in 2006. The newly added architecture surrounding the villa is designed to suggest an archaeological dig with many layers. Entrance to the Villa is free, but you must make a reservation ahead of time at time of writing. Parking is $15. One photo attached to this post is taken from the Outer Peristyle, the largest garden at the Getty Villa. We visited the villa back in April 2010. The picture was taken with the intent of saying something about the extensive use of Hedera helix (English Ivy) which surprised us but apparently was common in Roman gardens. I guess we’ve been reading the King County noxious weed warnings too much.

Calder Redux

Previously we mentioned an Alexander Calder exhibit at the Seattle Art Museum that was an eye-opener for us in regard to Calder’s work. Last month while in Los Angeles and at our old stomping grounds in Pasadena, Caltech (California Institute of Technology), we ran into Calder and his father, Alexander Stirling Calder.

The American sculptor Alexander Stirling Calder (1870 – 1945) carved the beautiful stone arches that today adorn a bridge between two laboratories at Caltech. The arches represent Nature, Art, Energy, Science, Imagination, and Law. They originally adorned a building called Throop Hall dedicated in 1910 on the present-day campus. Throop Hall was demolished after the 1971 San Fernando earthquake and the arches lay neglected for years until pressed back into use in 1986 in their current location. We snapped the photo above while walking around campus.

We ran into Alexander (Sandy) Calder (1898 – 1976) again at the Getty Center at the Lower Terrace Garden. The two pieces together are called The Jousters (1963). For an audio explanation click on The Jousters link in this audio tour.