The word
stampatello in Italian translates as block letters, but is better interpreted as writing that looks like it was typed. There are two types:
stampatello minuscolo (lowercase block letters) and
stampatello maiuscolo (uppercase block letters). Stampatello's showy brother is
corsivo or cursive lettering.
When I write, I tend to use a combination of lowercase block letters and cursive, as I believe many Americans do. What I find fascinating in Italy is the preference for
stampatello maiuscolo or uppercase block letters when writing. I often ask people to write in my little black notebook and almost always they do so using uppercase block lettering. (Yeah, I'm that kind of person who shoves a notebook in front of you and asks you to write something down.)
Here are six examples from the last few months.
Sample 1
Who: Middle-aged man
Where: Udine
Context: We ate at an enoteca called
Fred in Udine, and one of the staff wrote the name of a particular garlic we tasted called Aglio di Resia from Tarvisio.
Sample 2
Who: Older woman
Where: Bergamo
Context: One morning, in our local café, Bar Papavero, I was talking with a friend whose family is from Basilicata and she was listing places to see there including:
Craco,
Tricarico,
Venosa, and
La Certosa di Padula.
Sample 3
Who: Middle-aged woman
Where: Outskirts of Bergamo
Context: After lunch one day at Trattoria all'Alpino (great walk from Bergamo, see
here), we were talking to the owners and told them that we would be going to Friuli-Venezia Giulia in a few days. They wrote down a few suggestions that might be of interest to us. They were:
Maniago – a city known for its production of steel blades,
Vajont – location of the
disaster that killed over 1,900 people in 1963, and the
Sequals, the home town of the Italian boxer
Primo Carnera.
Sample 4 (two samples)
Who: Middle-aged woman and a female teenager
Where: Bergamo
Context: In Bar Papavero, I first asked Eleonora for her telephone number, which she wrote down. Next, I asked the granddaughter of one of the café regulars to write down a saying we were talking about. That saying is:
prendi l'arte e mettila da parte – basically meaning, learn what you can, because you'll never know when you'll need it.
Sample 5
Who: Middle-aged man
Where: Cuneo
Context: Talking with one of our "cousins" we got a suggestion on something to visit while staying in Piedmont. He wrote:
Ormea /
Alto /
Caprauna / [undecipherable] /
Cantarana /
Upega /
Ponte di Nava – all towns in the Cuneo Province of Piedmont, close to the French border.
Sample 6 (two samples)
Who: Two different middle-aged women
Where: Bergamo
Context: One sample is during a discussion at Café Bar Papavero when I was talking with a woman about the Italian writer, translator, and journalist
Fernanda Pivano. The second sample is from a woman who was on a guided tour of Bergamo's iconic
Roccolo di Castagneta (
Tavernella).
A
roccolo is basically a big bird trap. For more information on
roccoli, see
A Walk from Albino to Bergamo via Monte Misma. During the visit of the
Roccolo di Castagneta, the guide described wooden instruments that were thrown to simulate a bird of prey so that smaller birds would be frightened and hopefully fly into a waiting net. The device is called a
spauracchio in Italian. The woman I asked thoughtfully wrote it in Bergamasco dialect as well –
sboradur – always in capital letters.
Many other samples
Who: Various
Where: Bergamo
Context: See the series on Street Sign Language Lessons, for example,
Bergamo – Coronavirus – Street Sign Language Lesson XXXI. Many of the signs are in all caps, from friendly to not-so friendly signs.
This
Italian expert in the study of handwriting and criminology discusses some ideas about why Italians use
stampatello. The author suggests wide-ranging reasons including hiding one's tender side (cursive being more vulnerable?), avoiding being judged by other (bad writing?), looking for independence and asserting oneself (by adopting what everyone else does?), or just wanting to be legible (and sort of a conformist?).
These may be all valid reasons, but we add two other possible reasons. The first is that Italy, a country with many dialects and languages, still struggles to achieve unification in the sense that other European countries have and maybe
stampatello is one small way of being unified. It was Massimo D'Azeglio who said of the unification of Italy in 1861: "
Fatta l'Italia, bisogna fare gli italiani", meaning "Italy is done, the Italians need to be made". He was referring to the separate cultures, traditions, and languages (dialects) between the newly united regions.
The second reason for
stampatello use is that the Italian alphabet derives from the Latin alphabet and the latter started out as
roman square capitals. Many roman inscriptions with square capitals adorn buildings and monuments evoking authority. Could it be that Italian's use of capital letters derives from this history?
